Seats booked for the performances at 예술의전당 [서울] on Sep 12, 2026, as KOPIS performance statistics reported them each night. The first value already includes everything sold before we began watching, so the curve starts at the first observation, not at the on-sale date. This date has passed. The final value reflects KOPIS restatements for seven days after the performance.
Playing that day: 예술의전당 회원음악회
| Sales through | To show | Booked | Change |
|---|---|---|---|
| D-13 | 2,003 | – | |
| D-12 | 2,003 | 0 | |
| D-11 | 2,033 | +30 | |
| D-10 | 2,033 | 0 | |
| D-9 | 2,033 | 0 | |
| D-8 | 2,033 | 0 | |
| D-7 | 2,155 | +122 | |
| D-6 | 2,155 | 0 | |
| D-5 | 2,155 | 0 | |
| D-4 | 2,155 | 0 | |
| D-3 | 2,155 | 0 | |
| Show day | 2,155 | 0 |
Playing that day: 앙상블 에클라 정기연주회, 선율의 파편: 가을의 모자이크, 제12회 프로젝트 솔로이스츠 정기연주회
| Sales through | To show | Booked | Change |
|---|---|---|---|
| D-15 | 40 | – | |
| D-14 | 40 | 0 | |
| D-13 | 43 | +3 | |
| D-12 | 44 | +1 | |
| D-11 | 49 | +5 | |
| D-10 | 49 | 0 | |
| D-9 | 60 | +11 | |
| D-8 | 62 | +2 | |
| D-7 | 67 | +5 | |
| D-6 | 64 | -3 | |
| D-5 | 63 | -1 | |
| D-4 | 66 | +3 | |
| D-3 | 73 | +7 | |
| Show day | 836 | +763 |
Playing that day: 김덕우 & 시명운 바이올린 듀오 리사이틀 [서울], 이정은 피아노 독주회: 베토벤 피아노 소나타 전곡시리즈 Ⅵ. 초월 (超越)
| Sales through | To show | Booked | Change |
|---|---|---|---|
| D-15 | 92 | – | |
| D-14 | 95 | +3 | |
| D-13 | 95 | 0 | |
| D-12 | 94 | -1 | |
| D-11 | 93 | -1 | |
| D-10 | 100 | +7 | |
| D-9 | 99 | -1 | |
| D-8 | 105 | +6 | |
| D-7 | 106 | +1 | |
| D-6 | 110 | +4 | |
| D-5 | 118 | +8 | |
| D-4 | 326 | +208 | |
| D-3 | 337 | +11 | |
| Show day | 582 | +245 |
Playing that day: 강효지 솔로 콘서트: 더 바흐 #7 골드베르크, 만화경
| Sales through | To show | Booked | Change |
|---|---|---|---|
| D-13 | 11 | – | |
| D-12 | 11 | 0 | |
| D-11 | 13 | +2 | |
| D-10 | 17 | +4 | |
| D-9 | 17 | 0 | |
| D-8 | 17 | 0 | |
| D-7 | 17 | 0 | |
| D-6 | 19 | +2 | |
| D-5 | 18 | -1 | |
| D-4 | 22 | +4 | |
| D-3 | 23 | +1 | |
| Show day | 97 | +74 |
· KOPIS figures lag by about a day and may be revised for seven days after the performance.