Seats booked for the performances at 예술의전당 [서울] on Oct 14, 2026, as KOPIS performance statistics reported them each night. The first value already includes everything sold before we began watching, so the curve starts at the first observation, not at the on-sale date. This date has passed. The final value reflects KOPIS restatements for seven days after the performance.
Playing that day: 프레디 켐프: 쇼팽 피아노 협주곡
| Sales through | To show | Booked | Change |
|---|---|---|---|
| D-34 | 489 | – | |
| D-33 | 495 | +6 | |
| D-32 | 499 | +4 | |
| D-31 | 510 | +11 | |
| D-30 | 515 | +5 | |
| D-29 | 511 | -4 | |
| D-28 | 509 | -2 | |
| D-26 | 517 | +8 | |
| D-25 | 520 | +3 | |
| D-23 | 517 | -3 | |
| D-22 | 518 | +1 | |
| D-21 | 517 | -1 | |
| D-20 | 520 | +3 | |
| D-19 | 523 | +3 | |
| D-18 | 526 | +3 | |
| D-17 | 530 | +4 | |
| D-16 | 531 | +1 | |
| D-15 | 521 | -10 | |
| D-14 | 504 | -17 | |
| D-13 | 502 | -2 | |
| D-12 | 501 | -1 | |
| D-11 | 502 | +1 | |
| D-10 | 507 | +5 | |
| D-9 | 505 | -2 | |
| D-8 | 508 | +3 | |
| D-7 | 508 | 0 | |
| D-6 | 508 | 0 | |
| D-5 | 516 | +8 | |
| D-4 | 531 | +15 | |
| D-3 | 534 | +3 | |
| Show day | 2,168 | +1,634 |
Playing that day: 국립발레단, 지젤
| Sales through | To show | Booked | Change |
|---|---|---|---|
| D-34 | 608 | – | |
| D-33 | 744 | +136 | |
| D-32 | 812 | +68 | |
| D-31 | 836 | +24 | |
| D-30 | 883 | +47 | |
| D-29 | 900 | +17 | |
| D-28 | 916 | +16 | |
| D-26 | 953 | +37 | |
| D-25 | 965 | +12 | |
| D-23 | 1,114 | +149 | |
| D-22 | 1,114 | 0 | |
| D-21 | 1,124 | +10 | |
| D-20 | 1,145 | +21 | |
| D-19 | 1,164 | +19 | |
| D-18 | 1,168 | +4 | |
| D-17 | 1,180 | +12 | |
| D-16 | 1,205 | +25 | |
| D-15 | 1,218 | +13 | |
| D-14 | 1,223 | +5 | |
| D-13 | 1,236 | +13 | |
| D-12 | 1,263 | +27 | |
| D-11 | 1,264 | +1 | |
| D-10 | 1,262 | -2 | |
| D-9 | 1,557 | +295 | |
| D-8 | 1,627 | +70 | |
| D-7 | 1,645 | +18 | |
| D-6 | 1,652 | +7 | |
| D-5 | 1,682 | +30 | |
| D-4 | 1,686 | +4 | |
| D-3 | 1,794 | +108 | |
| Show day | 2,024 | +230 |
Playing that day: 제18회 서울국제음악제, 아르토 노라스와 김규연 리사이틀: 멋진 추억
| Sales through | To show | Booked | Change |
|---|---|---|---|
| D-34 | 36 | – | |
| D-33 | 129 | +93 | |
| D-32 | 129 | 0 | |
| D-31 | 142 | +13 | |
| D-30 | 142 | 0 | |
| D-29 | 142 | 0 | |
| D-28 | 142 | 0 | |
| D-26 | 147 | +5 | |
| D-25 | 147 | 0 | |
| D-23 | 184 | +37 | |
| D-22 | 184 | 0 | |
| D-21 | 185 | +1 | |
| D-20 | 186 | +1 | |
| D-19 | 189 | +3 | |
| D-18 | 191 | +2 | |
| D-17 | 190 | -1 | |
| D-16 | 188 | -2 | |
| D-15 | 187 | -1 | |
| D-14 | 188 | +1 | |
| D-13 | 189 | +1 | |
| D-12 | 188 | -1 | |
| D-11 | 188 | 0 | |
| D-10 | 189 | +1 | |
| D-9 | 189 | 0 | |
| D-8 | 193 | +4 | |
| D-7 | 193 | 0 | |
| D-6 | 193 | 0 | |
| D-5 | 194 | +1 | |
| D-4 | 201 | +7 | |
| D-3 | 207 | +6 | |
| Show day | 507 | +300 |
Playing that day: 화이트 래빗 레드 래빗 (WHITE RABBIT RED RABBIT)
| Sales through | To show | Booked | Change |
|---|---|---|---|
| D-23 | 278 | – | |
| D-22 | 280 | +2 | |
| D-21 | 279 | -1 | |
| D-20 | 281 | +2 | |
| D-19 | 281 | 0 | |
| D-18 | 281 | 0 | |
| D-17 | 283 | +2 | |
| D-16 | 302 | +19 | |
| D-15 | 314 | +12 | |
| D-14 | 316 | +2 | |
| D-13 | 317 | +1 | |
| D-12 | 314 | -3 | |
| D-11 | 314 | 0 | |
| D-10 | 316 | +2 | |
| D-9 | 314 | -2 | |
| D-8 | 313 | -1 | |
| D-7 | 314 | +1 | |
| D-6 | 314 | 0 | |
| D-5 | 315 | +1 | |
| D-4 | 316 | +1 | |
| D-3 | 315 | -1 | |
| Show day | 385 | +70 |
Playing that day: 큐리어스 (K'urius) 의 피아노 스펙트럼 Ⅲ. 韻 (운) ; 빛과 어둠의 울림 Schubert & Rachmaninoff
| Sales through | To show | Booked | Change |
|---|---|---|---|
| D-31 | 2 | – | |
| D-30 | 4 | +2 | |
| D-29 | 4 | 0 | |
| D-28 | 4 | 0 | |
| D-26 | 4 | 0 | |
| D-25 | 4 | 0 | |
| D-23 | 4 | 0 | |
| D-22 | 4 | 0 | |
| D-21 | 4 | 0 | |
| D-20 | 4 | 0 | |
| D-19 | 4 | 0 | |
| D-18 | 4 | 0 | |
| D-17 | 6 | +2 | |
| D-16 | 6 | 0 | |
| D-15 | 6 | 0 | |
| D-14 | 6 | 0 | |
| D-13 | 6 | 0 | |
| D-12 | 6 | 0 | |
| D-11 | 6 | 0 | |
| D-10 | 6 | 0 | |
| D-9 | 6 | 0 | |
| D-8 | 6 | 0 | |
| D-7 | 6 | 0 | |
| D-6 | 6 | 0 | |
| D-5 | 6 | 0 | |
| D-4 | 5 | -1 | |
| D-3 | 47 | +42 | |
| Show day | 51 | +4 |
· KOPIS figures lag by about a day and may be revised for seven days after the performance.