Seats booked for the performances at 예술의전당 [서울] on Oct 21, 2026, as KOPIS performance statistics reported them each night. The first value already includes everything sold before we began watching, so the curve starts at the first observation, not at the on-sale date. This date has passed. The final value reflects KOPIS restatements for seven days after the performance.
Playing that day: 낭만주의 거장, 시벨리우스
| Sales through | To show | Booked | Change |
|---|---|---|---|
| D-41 | 641 | – | |
| D-40 | 642 | +1 | |
| D-39 | 648 | +6 | |
| D-38 | 657 | +9 | |
| D-37 | 667 | +10 | |
| D-36 | 681 | +14 | |
| D-35 | 690 | +9 | |
| D-33 | 722 | +32 | |
| D-32 | 730 | +8 | |
| D-30 | 736 | +6 | |
| D-29 | 736 | 0 | |
| D-28 | 740 | +4 | |
| D-27 | 746 | +6 | |
| D-26 | 754 | +8 | |
| D-25 | 756 | +2 | |
| D-24 | 757 | +1 | |
| D-23 | 768 | +11 | |
| D-22 | 773 | +5 | |
| D-21 | 782 | +9 | |
| D-20 | 779 | -3 | |
| D-19 | 814 | +35 | |
| D-18 | 828 | +14 | |
| D-17 | 831 | +3 | |
| D-16 | 831 | 0 | |
| D-15 | 824 | -7 | |
| D-14 | 824 | 0 | |
| D-13 | 824 | 0 | |
| D-12 | 825 | +1 | |
| D-11 | 814 | -11 | |
| D-10 | 810 | -4 | |
| D-9 | 794 | -16 | |
| D-8 | 790 | -4 | |
| D-7 | 788 | -2 | |
| D-6 | 785 | -3 | |
| D-5 | 791 | +6 | |
| D-4 | 784 | -7 | |
| D-3 | 779 | -5 | |
| Show day | 1,455 | +676 |
Playing that day: 김남조 탄생 100년 기념 이영자 작품 연주회
| Sales through | To show | Booked | Change |
|---|---|---|---|
| D-16 | 11 | – | |
| D-15 | 9 | -2 | |
| D-14 | 9 | 0 | |
| D-13 | 9 | 0 | |
| D-12 | 9 | 0 | |
| D-11 | 9 | 0 | |
| D-10 | 9 | 0 | |
| D-9 | 9 | 0 | |
| D-8 | 9 | 0 | |
| D-7 | 10 | +1 | |
| D-6 | 10 | 0 | |
| D-5 | 8 | -2 | |
| D-4 | 8 | 0 | |
| D-3 | 7 | -1 | |
| Show day | 552 | +545 |
Playing that day: 유리동물원 [서울 서초]
| Sales through | To show | Booked | Change |
|---|---|---|---|
| D-41 | 113 | – | |
| D-40 | 117 | +4 | |
| D-39 | 123 | +6 | |
| D-38 | 126 | +3 | |
| D-37 | 126 | 0 | |
| D-36 | 133 | +7 | |
| D-35 | 133 | 0 | |
| D-33 | 131 | -2 | |
| D-32 | 133 | +2 | |
| D-30 | 142 | +9 | |
| D-29 | 142 | 0 | |
| D-28 | 142 | 0 | |
| D-27 | 144 | +2 | |
| D-26 | 150 | +6 | |
| D-25 | 151 | +1 | |
| D-24 | 151 | 0 | |
| D-23 | 155 | +4 | |
| D-22 | 161 | +6 | |
| D-21 | 161 | 0 | |
| D-20 | 193 | +32 | |
| D-19 | 194 | +1 | |
| D-18 | 197 | +3 | |
| D-17 | 198 | +1 | |
| D-16 | 198 | 0 | |
| D-15 | 196 | -2 | |
| D-14 | 196 | 0 | |
| D-13 | 196 | 0 | |
| D-12 | 197 | +1 | |
| D-11 | 193 | -4 | |
| D-10 | 192 | -1 | |
| D-9 | 239 | +47 | |
| D-8 | 237 | -2 | |
| D-7 | 244 | +7 | |
| D-6 | 319 | +75 | |
| D-5 | 313 | -6 | |
| D-4 | 332 | +19 | |
| D-3 | 333 | +1 | |
| Show day | 489 | +156 |
Playing that day: 김유빈 피아노 독주회: 여정 시리즈 4. 러시아
| Sales through | To show | Booked | Change |
|---|---|---|---|
| D-24 | 1 | – | |
| D-23 | 6 | +5 | |
| D-22 | 6 | 0 | |
| D-21 | 6 | 0 | |
| D-20 | 6 | 0 | |
| D-19 | 6 | 0 | |
| D-18 | 13 | +7 | |
| D-17 | 13 | 0 | |
| D-16 | 13 | 0 | |
| D-15 | 14 | +1 | |
| D-14 | 14 | 0 | |
| D-13 | 14 | 0 | |
| D-12 | 14 | 0 | |
| D-11 | 14 | 0 | |
| D-10 | 14 | 0 | |
| D-9 | 15 | +1 | |
| D-8 | 16 | +1 | |
| D-7 | 19 | +3 | |
| D-6 | 19 | 0 | |
| D-5 | 19 | 0 | |
| D-4 | 19 | 0 | |
| D-3 | 25 | +6 | |
| Show day | 189 | +164 |
Playing that day: 리: 바운드 축제, 피노기오
| Sales through | To show | Booked | Change |
|---|---|---|---|
| D-41 | 9 | – | |
| D-40 | 9 | 0 | |
| D-39 | 9 | 0 | |
| D-38 | 9 | 0 | |
| D-37 | 9 | 0 | |
| D-36 | 9 | 0 | |
| D-35 | 9 | 0 | |
| D-33 | 12 | +3 | |
| D-32 | 12 | 0 | |
| D-30 | 12 | 0 | |
| D-29 | 12 | 0 | |
| D-28 | 14 | +2 | |
| D-27 | 14 | 0 | |
| D-26 | 14 | 0 | |
| D-25 | 15 | +1 | |
| D-24 | 15 | 0 | |
| D-23 | 15 | 0 | |
| D-22 | 17 | +2 | |
| D-21 | 137 | +120 | |
| D-20 | 141 | +4 | |
| D-19 | 141 | 0 | |
| D-18 | 141 | 0 | |
| D-17 | 147 | +6 | |
| D-16 | 147 | 0 | |
| D-15 | 147 | 0 | |
| D-14 | 147 | 0 | |
| D-13 | 147 | 0 | |
| D-12 | 147 | 0 | |
| D-11 | 147 | 0 | |
| D-10 | 147 | 0 | |
| D-9 | 146 | -1 | |
| D-8 | 146 | 0 | |
| D-7 | 145 | -1 | |
| D-6 | 145 | 0 | |
| D-5 | 145 | 0 | |
| D-4 | 145 | 0 | |
| D-3 | 146 | +1 | |
| Show day | 163 | +17 |
· KOPIS figures lag by about a day and may be revised for seven days after the performance.