Seats booked for the performances at 예술의전당 [서울] on Dec 23, 2026, as KOPIS performance statistics reported them each night. The first value already includes everything sold before we began watching, so the curve starts at the first observation, not at the on-sale date.
Playing that day: 리처드 용재 오닐: 바흐 소사이어티 [서울]
| Sales through | To show | Booked | Change |
|---|---|---|---|
| D-92 | 305 | – | |
| D-91 | 336 | +31 | |
| D-90 | 343 | +7 | |
| D-89 | 348 | +5 | |
| D-88 | 370 | +22 | |
| D-87 | 377 | +7 | |
| D-86 | 436 | +59 | |
| D-85 | 449 | +13 | |
| D-84 | 471 | +22 | |
| D-83 | 484 | +13 | |
| D-82 | 487 | +3 | |
| D-81 | 495 | +8 | |
| D-80 | 499 | +4 | |
| D-79 | 508 | +9 | |
| D-78 | 532 | +24 | |
| D-77 | 534 | +2 | |
| D-76 | 538 | +4 | |
| D-75 | 547 | +9 | |
| D-74 | 544 | -3 | |
| D-73 | 549 | +5 | |
| D-72 | 585 | +36 | |
| D-71 | 595 | +10 | |
| D-70 | 607 | +12 | |
| D-69 | 619 | +12 | |
| D-68 | 629 | +10 | |
| D-67 | 633 | +4 | |
| D-66 | 630 | -3 | |
| D-65 | 632 | +2 | |
| D-64 | 624 | -8 | |
| D-63 | 631 | +7 | |
| D-60 | 678 | +47 | |
| D-59 | 693 | +15 | |
| D-58 | 723 | +30 | |
| D-57 | 743 | +20 | |
| D-56 | 758 | +15 | |
| D-55 | 767 | +9 | |
| D-54 | 780 | +13 | |
| D-53 | 800 | +20 | |
| D-52 | 821 | +21 | |
| D-51 | 828 | +7 | |
| D-50 | 848 | +20 |
Playing that day: 베토벤 교향곡 x 두 대의 피아노 #3
| Sales through | To show | Booked | Change |
|---|---|---|---|
| D-84 | 1 | – | |
| D-83 | 2 | +1 | |
| D-82 | 2 | 0 | |
| D-81 | 6 | +4 | |
| D-80 | 7 | +1 | |
| D-79 | 7 | 0 | |
| D-78 | 9 | +2 | |
| D-77 | 9 | 0 | |
| D-76 | 9 | 0 | |
| D-75 | 9 | 0 | |
| D-74 | 9 | 0 | |
| D-73 | 9 | 0 | |
| D-72 | 9 | 0 | |
| D-71 | 9 | 0 | |
| D-70 | 9 | 0 | |
| D-69 | 10 | +1 | |
| D-68 | 10 | 0 | |
| D-67 | 10 | 0 | |
| D-66 | 10 | 0 | |
| D-65 | 10 | 0 | |
| D-64 | 10 | 0 | |
| D-63 | 12 | +2 | |
| D-60 | 19 | +7 | |
| D-59 | 19 | 0 | |
| D-58 | 19 | 0 | |
| D-57 | 17 | -2 | |
| D-56 | 17 | 0 | |
| D-55 | 18 | +1 | |
| D-54 | 22 | +4 | |
| D-53 | 24 | +2 | |
| D-52 | 23 | -1 | |
| D-51 | 23 | 0 | |
| D-50 | 23 | 0 |
Playing that day: 케이 김경은 피아노 리사이틀, 베토벤 피아노 소나타 전곡 시리즈 Ⅴ: The Path to Silence
| Sales through | To show | Booked | Change |
|---|---|---|---|
| D-64 | 1 | – | |
| D-63 | 1 | 0 | |
| D-60 | 1 | 0 | |
| D-59 | 1 | 0 | |
| D-58 | 1 | 0 | |
| D-57 | 1 | 0 | |
| D-56 | 0 | -1 | |
| D-55 | 0 | 0 | |
| D-54 | 0 | 0 | |
| D-53 | 0 | 0 | |
| D-52 | 0 | 0 | |
| D-51 | 0 | 0 | |
| D-50 | 0 | 0 |
· KOPIS figures lag by about a day and may be revised for seven days after the performance.