Seats booked for the performances at 유니플렉스 on Nov 25, 2026, as KOPIS performance statistics reported them each night. The first value already includes everything sold before we began watching, so the curve starts at the first observation, not at the on-sale date.
Playing that day: 여신님이 보고 계셔 [대학로]
| Sales through | To show | Booked | Change |
|---|---|---|---|
| D-38 | 238 | – | |
| D-37 | 240 | +2 | |
| D-36 | 239 | -1 | |
| D-35 | 259 | +20 | |
| D-34 | 264 | +5 | |
| D-32 | 260 | -4 | |
| D-31 | 261 | +1 | |
| D-30 | 261 | 0 | |
| D-29 | 260 | -1 | |
| D-28 | 261 | +1 | |
| D-27 | 262 | +1 | |
| D-26 | 266 | +4 | |
| D-25 | 268 | +2 | |
| D-24 | 270 | +2 | |
| D-23 | 271 | +1 | |
| D-22 | 271 | 0 |
Playing that day: 빨래: 32차 프로덕션
| Sales through | To show | Booked | Change |
|---|---|---|---|
| D-54 | 3 | – | |
| D-53 | 8 | +5 | |
| D-52 | 12 | +4 | |
| D-51 | 13 | +1 | |
| D-50 | 18 | +5 | |
| D-49 | 18 | 0 | |
| D-48 | 18 | 0 | |
| D-47 | 8 | -10 | |
| D-46 | 10 | +2 | |
| D-45 | 14 | +4 | |
| D-44 | 33 | +19 | |
| D-43 | 33 | 0 | |
| D-42 | 55 | +22 | |
| D-41 | 55 | 0 | |
| D-40 | 72 | +17 | |
| D-39 | 71 | -1 | |
| D-38 | 71 | 0 | |
| D-37 | 63 | -8 | |
| D-36 | 64 | +1 | |
| D-35 | 79 | +15 | |
| D-34 | 81 | +2 | |
| D-32 | 83 | +2 | |
| D-31 | 89 | +6 | |
| D-30 | 89 | 0 | |
| D-29 | 94 | +5 | |
| D-28 | 94 | 0 | |
| D-27 | 105 | +11 | |
| D-26 | 134 | +29 | |
| D-25 | 139 | +5 | |
| D-24 | 142 | +3 | |
| D-23 | 146 | +4 | |
| D-22 | 175 | +29 |
Playing that day: 미드나잇: 액터뮤지션 THE CHOICE [대학로]
| Sales through | To show | Booked | Change |
|---|---|---|---|
| D-41 | 24 | – | |
| D-40 | 25 | +1 | |
| D-39 | 26 | +1 | |
| D-38 | 27 | +1 | |
| D-37 | 28 | +1 | |
| D-36 | 28 | 0 | |
| D-35 | 30 | +2 | |
| D-34 | 28 | -2 | |
| D-32 | 30 | +2 | |
| D-31 | 34 | +4 | |
| D-30 | 34 | 0 | |
| D-29 | 34 | 0 | |
| D-28 | 37 | +3 | |
| D-27 | 37 | 0 | |
| D-26 | 39 | +2 | |
| D-25 | 39 | 0 | |
| D-24 | 39 | 0 | |
| D-23 | 39 | 0 | |
| D-22 | 39 | 0 |
· KOPIS figures lag by about a day and may be revised for seven days after the performance.